#HIGH RESOLUTION SHROUD OF TURIN REGISTRATION#
#HIGH RESOLUTION SHROUD OF TURIN SERIES#

There are two irreconcilable positions on the authenticity of the Shroud: The camp of sindonologists assert the relic’s authenticity, and the other side insists the Shroud is a pious medieval forgery. The angels above display the resulting image. It shows Nicodemus, Joseph of Arimathea, and John the Evangelist wrapping Jesus’s body in a burial cloth. It is telling to see how the historiography of the Shroud during the early modern era and until the turn of the 20th century strove to remove any untoward aspects from its history by suppressing inconvenient documents and creating new legends.ĭeposition of Christ (1620), by Giovanni Battista della Rovere, portrays the imagined origins of the Shroud of Turin. But because such are only available from the Middle Ages onwards, historians often use imagination to fill the large chronological gap between the first and 14th centuries. These accounts recount what can be inferred from historical documents. Although the field is dominated by the so-called hard sciences, some authors have also dealt with the relic’s history.

Over the past 120 years, sindonology has produced hundreds of books and articles dedicated to the relic, involving every possible field: chemistry, physics, forensic medicine, palynology, numismatics, and so on. The Shroud was first photographed in 1898, and this year is commonly considered to mark the emergence of sindonology (from the Greek word sindōn, used in the Gospels to define Jesus’s burial cloth), that is, the science-or, rather, set of scientific disciplines-that set out to prove the authenticity of the Shroud. This damage is believed to have occurred due to ﬁre in 1532.

#HIGH RESOLUTION SHROUD OF TURIN SERIES#

Two scorch marks, which appear as black lines, and a series of vaguely triangular holes caused by burns, run lengthwise down the fabric, on either side of the human figure.

The human image is the result of a change in the color of the linen ﬁbers, but it remains to be fully understood how such coloration occurred. This figure appears to bear marks from ﬂagellation and cruciﬁxion as well as various red spots corresponding to the blows. 1 It is a linen sheet measuring about 14.5 by 3.5 feet and featuring a monochromatic image on the front and back of a naked male figure. Today many consider the Shroud of Turin-the alleged burial cloth of Jesus of Nazareth-to be the most important relic of Christianity. It has been kept in the royal chapel of the Cathedral of Turin.Ĭredit: Photo by Giuseppe Enrie, 1931, Public domain, via Wikimedia Commons.

Although some chemical issues are also mentioned and a historical reconstruction of the burial procedure is suggested, first and foremost the optical aspect of this mechanism is addressed here.The Shroud of Turin is a linen sheet long claimed to feature the image of the tortured body of Jesus of Nazareth. An attempt is also made to reinterpret the so-called three-dimensional information encoded in the image. This reflex radiation model requires the following: (1) action at the shortest possible distance (i.e., a maximum clinging of the Shroud to the body except for a narrow intervening liquid film), which explains the high resolution and the absence of serious distortions, and (2) double exposure-of both the face and the back-of the enveloped corpse to the sun, which accounts for the presence and optical symmetry of both the frontal and the dorsal images.

#HIGH RESOLUTION SHROUD OF TURIN REGISTRATION#

Unprejudiced logical analysis of the main available data, in the first instance, those collected in 1978 by the American interdisciplinary team known as STURP, suggests that the image of the dead man on the Shroud of Turin resulted from (a) the reflection by the anointed body of transmitted solar rays and their projection onto the inner side of the cloth and (b) the chemical registration of this reflex image by the topmost fibers of the linen, probably with a water or oil solution of aloes and myrrh acting as a catalyzer.

High resolution shroud of turin